Soundcoding

Posted on August 29th, 2017

How many people work with the music codes at your station? And are they coded with your station in mind? The other day, I reviewed an AC station where many song parameters come from the company CHR station. What’s mainstream at CHR, are frequently not on the AC, and definitely not for this station


New site for voice trackers

Posted on August 15th, 2017

If you’re a radio voice tracker or a station looking for someone making “voice tracks,” this site might be something for you.
http://voicetrackerhub.com


When did you last analyze your competition? (not just sample them)

Posted on August 12th, 2017

A full day snap-shot during prime time hours is a great tool to check what your competition is doing. I suggest putting the name of artist, title, sound code, era, tempo in an Excel sheet and calculate averages as well as exposure. I also recommend marking whether the song play by us.

The result might be very different from your perception of them.

Keep track on the results and remake the monitor if you see vast changes compared to the last monitor. A good rule of thumb is to conduct a monitor once every 4 to 6 months and/or if the competition is doing a significant change. But it is important to remember that in our busy days sampling some songs or just looking at the adds or most played songs get the real feel of what the compettition is doing.

The other week, the results in a client monitor of the competition showed a significant move in both era and tempo towards us.


60’s workout music sample

Posted on July 26th, 2017

Better Radio music log service produce daily music logs to the radio, instore content providers, etc.
One recent assignment is daily updated 60’s music playlists to a gym-chain using the Spotify Business platform.

Here is a sample how the 60’s workout mix can sound.

For more information Better Radio Music Log Service


Music scheduling tip of the week

Posted on July 4th, 2017

Music scheduling tip of the week


Song exposure

Posted on June 13th, 2017

Different song exposure